Build Me A Buttercup 45 by The Foundations

October 25, 2010

The Foundations were a rare British rhythm & blue/pop group that had a couple of big hits in The United States. It was a rarer band to contain both black and white members.

Their breakthrough hit was “Baby Now That I Found You” which had top twenty chart success in The United States in late 1967 and early 1968. This set the stage for their biggest hit, “Build Me A Buttercup” in early 1969. It was melodic, catchy, with a soulful vocal in support which gave it appeal to a vast pop audience.

The Foundations consisted of vocalist Clem Curtis, guitarist Alan Warner, keyboardist Anthony Gomez, bassist Peter MacBeth, drummer Colin Young, plus a horn section of Eric Allendale, Pat Burke, & Michael Elliott.

The Foundations produced three more minor hits in The United States before the sixties ended but disbanded in 1970. Like many groups they left behind a gem or two and “Build Me A Buttercup” certainly falls into that category.

Return To The Matrix 02/01/68 by The Jefferson Airplane

October 24, 2010

Collector’s Choice Music has just issued four historic live albums by the Jefferson Airplane. The first was recorded at the Fillmore Auditorium October 15, 1966 and was singer Signe Anderson’s final concert with the group. The second was recorded a day later and featured Grace Slick’s debut with the group. Release number three is from a pair of shows recorded about a month later and finds Grace Slick settling in as a member of the band.

The fourth album in the series is Jefferson Airplane: Return To The Matrix 02/01/68, which features two discs and 103 minutes of unreleased live music by one of the premier bands of the psychedelic era.

Recorded about sixteen months after Grace’s debut, she has now settled in as a key component of Jefferson Airplane. When she was hired, it is doubtful if the band members realized that they were getting one of the great female voices in rock history in addition to a woman who would become symbolic of the era. By late 1968, though, she had become the visual focal point of the band.

The Jefferson Airplane was one of those bands who would take their short, concise studio tracks and stretch them out when playing live. The instrumental skills of Paul Kantner, Jorma Kaukonen, and Jack Cassady were some of the best that rock had to offer. Their studio albums may have been commercially successful, but their live skills and reputation would ensure their induction into the Rock And Roll Hall Of Fame.

Return To The Matrix finds the band at the height of their powers. They had been on the road and in the recording studio for three years. They could now draw material from three of their signature albums, Surrealistic Pillow, After Bathing At Baxter’s, and Crown Of Creation.

Grace Slick also brought two songs with her from her first group, The Great Society. Both “Somebody To Love” and “White Rabbit would become hit singles and be ranked among The 500 Greatest Songs Of All Time by Rolling Stone Magazine. Slick is in fine vocal form and “Somebody To Love,” which begins the concert, immediately ramps up the energy. Her “Two Heads” is also a nice performance as well.

Marty Balin’s vocals were always a nice counterpoint to Slick’s, whether as the lead, in support, or as a duet. Here he is best represented by “It’s No Secret,” “Plastic Fantastic Lover,” “Today,” and “Share A Little Joke.”

The old rock song “Kansas City” was a staple of their live act at the time although they would use it as a jumping off point for their guitar excursions. The last three tracks present the concert Airplane at its best as they cover about a half hour of time. “Ice Cream Phoenix,” Donovan’s “Fat Angel,” and the ten minute closer “Ballad Of You And Me And Pooneil” stand among their best live work.

It is nice that the Jefferson Airplane vaults have been opened. Return To The Matrix is a stunning document of the era and one of the bands that defined American rock.

Live At The Fillmore Auditorium 11/25/66 and 11/27/66 – We Have Ignition

October 24, 2010

Collectors’ Choice Music has just released four historic and classic live albums by The Jefferson Airplane. The first two, chronologically, focus on Signe Anderson’s last concert with the band recorded 10/15/66 and Grace Slick’s debut 24 hours later. They present the future Rock And Roll Hall of Fame group at the crossroads of their career as they had just acquired one of rock’s supreme voices and enduring personalities.

The third album in the series was recorded a little over a month after Slick’s debut. Live At The Fillmore Auditorium 11/25/66 & 11/27/66 – We Have Ignition is a two disc, 28-song set which covers two of their performances. There is repetition as eight of the songs are repeated but as this is a live album there are differences and it’s nice to hear the variations that appear in the material.

My only major complaint is the lack of liner notes. Both of the first two releases came with booklets that provided biographical information about the group. This one has nothing and it would have been nice to have had connector material from Slick’s first six weeks with the band but since there is nada the music will have to do.

Grace and the band have come a long way in a short time. Here we find her beginning to assert herself as a vocal presence and force within the band. The appearance of her composition ‘White Rabbit” signaled her emergence as a rare sixties female rock performer of note. Slick wrote the song while she was a member of The Great Society and brought it with her to The Airplane. It became one of the signature songs of the psychedelic era. The Rock And Roll Hall of Fame ultimately honored it as one of The 500 Songs That Shaped Rock ‘N’ Roll. This early presentation shows a young Grace Slick on the way to stardom.

The sets are tighter than the first two albums in the series. While their improvisational styles are still very much present, they are more controlled as only two tracks exceed seven minutes. Still songs such as “Fat Angel,” “The Other Side Of Life,” “3/5 Of A Mile In 10 Seconds,” and “High Flyin’ Bird” demonstrate the group’s developing improvisational prowess. When you combine those performances with such staples as “Plastic Fantastic Lover,” “She Has Funny Cars,” and “It’s No Secret” you have the foundation of a classic Jefferson Airplane concert.

This third album in the series chronicles the continued development of one of the great American rock bands. They are still an excellent listen 44 years later.

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Live At The Fillmore Auditorium 10/16/66 Early and Late Shows – Grace’s Debut

October 24, 2010

Signe Anderson performed her last concert with The Jefferson Airplane on October 16, 1966 at The Fillmore Auditorium. She had been a vocalist with the Airplane almost from its beginnings in 1965. Her public reason for leaving was a desire to spend more time with her family but her husband did not get along with the members of the group.

I don’t think she even made it home before Grace Slick took her place 24 hours later. She was the lead vocalist of The Great Society and was known to the band. While Anderson would disappear at times and be the least visible member of the group, Grace Slick would be a very different presence. I doubt the other group members realized at the time what they were in for but she would become a focal point of the band and bring one of the great female voices in rock history with her. When I think of psychedelic and rock music of the late sixties and early seventies, the image of Grace Slick is one that comes to mind.

Collector’s Choice has issued a four CD series of classic live performances by The Jefferson Airplane. Live At The Fillmore Auditorium 10/16/66 Early & Late Shows – Grace’s Debut is the second in the series. The cover picture of Grace and the full inside photo of her face present a young and innocent Slick. I was going to write virginal but given her future history and its perception, I felt it would not fit even at this early period in her career.

While this album may be Grace’s debut, it is really a group affair. She is just trying to fit in. She sings the Anderson harmony parts and while her voice is stronger it is not front and center as it would soon become.

Anderson’s farewell concert and Grace’s debut would both contain 13 songs but only five would be repeats. Not only did the band incorporate a new lead singer a day after the previous one departed but they changed and replaced more than half of their live act.

The Jefferson Airplane would become one of rock’s best improvisational bands and this CD shows them developing those skills. “Thing,” at over ten minutes, allows each musician to stretch out and show their skills. “They give the old rock ‘n’ roll classic “Kansas City” a seven minute workout. One the other hand the six minute “The Other Side Of Life” and the equally long “And I Like It” feature a more controlled improvisation.

Marty Balin was the vocal center of the band. His clear vocal and perfect tone was a vital part of their sound and at times seemed to run counterpoint to the music that was swirling around him.

While this may be a historic performance because of Grace Slick’s debut, it is also a document in the evolution of one of the important rock bands in American music history. Essential for any fan of the era.

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Live At The Fillmore Auditorium 10/15/66 Late Show – Signe’s Farewell by The Jefferson Airplane

October 24, 2010

The Jefferson Airplane traces their lineage back to 1965 when vocalist Marty Balin met guitarist Paul Kantner. Lead guitarist Jorma Kaukonen, bassist Jack Casady, and drummer Skip Spence were quickly added although Spencer Dryden would replace Spence before their first album was completed. The final piece was Signe Toly Anderson who was selected as a second vocalist.

Signe’s tenure with The Airplane would be brief and it and she would be over shadowed by her future replacement Grace Slick who was one of the great vocalists of the sixties and seventies rock era. She would take part on only the group’s debut album. Her reason for leaving was a desire to spend more time with her family.

Collector’s Choice Music has now released a four CD series of live performances by The Jefferson Airplane. The first chronologically is her final performance with the band. On October 15, 1966 she would take part in their two set show at The Fillmore West. The second of those two sets has been resurrected as Live At The Fillmore Auditorium 10/15/66 Late Show – Signe’s Farewell. This show has been circulated as a bootleg for years so it’s nice to finally have it as a cleaned up official release.

There is no doubt that this concert was planned to be her last. She says goodbye at the end but also the very next day the band performed with Grace Slick in her place. She would complete the six person line-up which would be inducted into The Rock And Roll Hall Of Fame in 1996.

October of 1966 finds The Jefferson Airplane on the road to becoming one of the most influential rock bands of their era. While they had only released one studio LP at this point in their career; their concert skills as one of the premier experimental and improvisational bands of all time had begun to develop.

While it is advertised as Signe’s farewell concert, it is really a complete band effort and her participation is less important than the whole group experience. She only takes a true lead vocal on her signature song “Chauffeur Blues.”

The concert’s importance as a pivital point in the group’s history is ultimately less important than its presentation of the group live at this early stage in their career. A number of unusual songs comprise the 13 track set. An early version of “3/5 Of A Mile In 10 Seconds” which would be released as a studio version on their classic Surrealistic Pillow makes an appearance. It and the old Donovan tune “Fat Angel,” at over seven minutes, are early examples of their developing improvisational skills. Other songs of note are “High Flying Bird,” “Come Up The Years,” and the nine mine opening “Jam.”

This is a release that should please all fans of The Jefferson Airplane and of the psychedelic rock era as well. Signe Anderson has continued to perform off and on and recently made some special appearances with the The Jefferson Starship – Next Generation.

She may not have been Grace Slick but she was an early figure in the American psychedelic music scene and it’s nice to have a live document of her last concert.

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Little Boy (In Grown Up Clothes) 45 by The Four Seasons

October 23, 2010

When The Four Seasons left The Vee Jay label during 1963 they left behind alot of unused material. As the Four Seasons climbed to new heights of popularity with their new label, Vee Jay would continue to raid their vaults and gradually release what was available.

“Little Boy (In Grown Up Clothes)” was the fifth and last single to be released under the Vee Jay brand. It would also be the best of the five. Why it had not been released as a single before this point is beyond me.

It featured typical and tight Four Seasons harmonies with Frankie Valli’s falsetto floating above the mix. It only reached number sixty on the BILLBOARD MAGAZINE pop charts and deserved better.

The Vee Jay material would run dry after this release but it remains a fine remembrace of The Four Seasons at their best.

The Song Remains The Same by Led Zeppelin

October 22, 2010

The Song Remains The Same was not very accurate when it came to this album, as many of the songs were really not the same given their extended length.

Led Zeppelin brought their live act to Madison Square Garden in New York City for three shows during July of 1973. These performances were recorded for a film which would be released to theaters worldwide.

The soundtrack album was issued September 26, 1976 to mixed reviews. It would, however, be another commercial success for Led Zeppelin, as it topped the charts in their native country of England and reached number two in The United States, selling four million copies.

Jimmy Page and Robert Plant have expressed dissatisfaction with the album over the years. One reason may have been the three-plus year passage of time between its recording and release. Led Zeppelin had acquired some new material in the interim and in some ways this live set was a little antiquated. Still, it was the only live document of their career for a number of years.

I find the album to still be interesting. I have also seen the film, and it does work well visually, especially on the longer tracks. But the album does give an accurate portrait of their live show. The group liked to improvise and here, Led Zeppelin is presented at their early seventies live best.

I still like this album and have replaced my old vinyl copy with the CD, as I find it a good traveling companion for my car CD player on long trips.

The original vinyl release clocked in at close to 100 minutes, yet only contained nine songs and four were on the first side of the two-record set. “Dazed and Confused,” at over 26 minutes takes up the entire second side itself.

The highlights are a 10-minute version of “Stairway To Heaven” and a 14-minute workout of “Whole Lotta Love.” The basic song structures are retained but also serve as jumping of places for Jimmy Page and friends to move in different directions. Page is one of those rare musicians who can pull off not having a rhythm guitarist in support. The near 14-minute performance of “Moby Dick” is almost of the same quality.

There have always been complaints that some of the music from the film was left off the album and visa versa, and in some cases performances from the concerts were left off both. “Black Dog,” “Since I’ve Been Loving You,” “Bron-Yr-Aur,” and “Autumn Lake” all grace the movie but were nowhere to be found on the album. The 2007 reissue coordinated the two but did chop up several of the songs. My advice is to stick with the original and ignore the extras.

The Songs Remains The Same is a look back at a different Led Zeppelin. It remains an excellent document of their concert style.

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