Live In Concert At The Capital Theatre By Justin Hayward

February 22, 2017


I recently reviewed Justin Hayward’s new compilation album All The Way. It contained some good music but an odd song selection and only included half the tracks of the MP3 version.  A companion release by Hayward is much more fulfilling. Live In Concert At The Capital Theatre is a 117 minute performance that presents Justin Hayward at his best.

Unlike his last release, the song selection makes sense. He moves effortlessly between some classic Moody Blues songs to exploring all periods of his solo career. Simple Versions of “Tuesday Afternoon,” “Question,” “Your Wildest Dreams,” and the eternal “Nights In White Satin” provide nice nostalgic interludes.

When Hayward digs into his solo catalogue; there are a number of treats to be enjoyed. “December Snow,” “I Dreamed Last Night,” “The Eastern Sun,” and “Forever Autumn” benefit from being performed live without any studio tracks. Guitarist Mike Dawes and keyboardist/backing vocalist Julie Ragins provide a good foundation for Hayward’s music.

Hayward’s voice has lost little with the passage of time as it remains a smooth instrument. The sound and video quality are up to modern standards and the fact that it is a complete concert provides a nice flow to the release.

Two bonus tracks, “Blue Guitar” and “Who Are You Now” are enjoyable but not essential to the concert experience. The bonus music video of “The Wind Of Heaven” introduces one of the better songs of Hayward’s solo career.

Justin Hayward has just turned 70 and Live In Concert At The Capital Theatre is a nice look at an artist celebrating a career at the half-century mark. A must release for any fan of Hayward or the Moody Blues.


All The Way By Justin Hayward

February 22, 2017


Just Hayward has been the heart, soul, and principal vocalist for the Moody Blues for 50 years. In his spare time, he has issued close to a dozen solo albums. His new release, All The Way, provides a 15 song taste of his solo career. Be advised that the MP3 edition of the album contains 30 tracks including his collaboration with John Lodge “I Dreamed last Night” and his Simon & Garfunkel cover of “Scarborough Fair,” which are essential Justin Hayward listening.  It all adds up to the MP3 being a superior release.

The CD tends to be more oriented toward his newer material but all periods of his career are represented. The opening “Blue Guitar” with John Lodge and “Forever Autumn” represents a fertile period of his early solo career and hover on the edge of the Moody Blues sound.

He revisits two Moody Blues classics. His live version of “Nights In White Satin” features a smooth vocal. There is also a somewhat sparse acoustic rendition of “The Story In Your Eyes,” which changes the style of the original.

The inclusion of “The Best Is Yet To Come” presents one of his better solo ballads. The album ending “The Wind Of Heaven” is the equal of most of his best work.

The sound, especially on the older tracks sounds better that I remember. Counter-acting the sound quality is a lack of liner notes and information.

After All presents some of the best of Justin Hayward. There is no particular reason or order for the selected tracks but what is there are fine listening but there is a lot missing.  It is a CD that should have been more inclusive and in the final analysis much better.  If you have not explored the solo music of Hayward, this is a good introduction, but there is a lot more out there.


Nights In White Satin 45 by The Moody Blues

May 30, 2011

The Moody Blues began as a raw blues band and had a hit during 1965 with “Go Now.” By 1968, Denny Laine and Clint Warwick had left the band and had been replaced by John Lodge and Justin Hayward. Their sound changed as they fused clasical and rock music together.

Their first single release was during early February of 1968, when they issued “Nights In White Satin.” It only reached number 103 on the American singles charts.

By the summer of 1972, they had sold millions of albums and had charted six more singles in The United States. They decided to reissue “Nights In White Satin.” It reached number two on the BILLBOARD MAGAZINE Pop Singles Chart and has become their signature song.

Go Now 45 by The Moody Blues

July 4, 2009

841j“Go Now” by The Moody Blues was possibly the first single I tried to find after the fact. I must have heard it played on the radio but when I went to my local record store I quickly learned that it was an oldie and not in stock. Where to get a copy? I had a friend who owned a copy and after some haggling I traded my “Do The Clam” with picture sleeve by Elvis Presley for his copy of “Go Now.”

I don’t think the copy pictured is the original as it is too pristine but it still sounds fine after all these years.

The Moody Blues were formed in the early sixties as a blues/rock group. And let me quickly say that the fact they are not in the Rock and Roll Hall of Fame is a travesty. Listening to their first album you hear a gritty and raw sound. Denny Laine, who later played with Paul McCartney in Wings, is the lead vocalist and guitarist and Carl Warwick is the bassist. “Go Now” would be a huge hit in The United States and England but future commercial success would elude the group. Laine and Warwick would depart and be replaced by Justin Hayward and John Lodge. The rest as they say is history. There next release, DAYS OF FUTURE PASSED would sell millions of copies and make them one of the most popular rock groups in history.

“Go Now” remains the first stop in the career of The Moody Blues and is nothing like any of their future releases.

And yes I did find another copy of “Do The Clam” with picture sleeve.

Threshold Of A Dream: Live At The Isle Of Wight (DVD) by The Moody Blues

June 6, 2009

The Moody Blues legendary performance at the 1970 Isle Of Wight Festival finally sees the light of day. While the music has been in circulation for some time, this DVD presents all the available video footage from their performance for the first time since it was recorded 39 years ago.

1970 found The Moody Blues one of the top rock attractions in the world. There album, A Question Of Balance, had been released several months before this performance and was at the top of the charts in a number of countries when this concert took place. At the festival they shared equal billing with the likes of The Who, The Doors, and Jimi Hendrix and more than held there own.

Threshold Of A Dream: Live At The Isle Of Wight Festival begins with a twenty minute documentary that includes interviews with the members of the group. These interviews, which are woven around vintage video footage, give a quick history of the group, the effect of the mellotron upon their sound, and their remembrances of the festival. Seeing the modern day Moody Blues speaking about themselves forty years ago when they looked so young is both poignant and interesting. The documentary alone is worth the price of admission.

Their actual performance at the festival is better than I expected. The video has been restored about as well as the state of the art at the time will allow and the quality is more than presentable.

Their music also comes across well. The sound they were producing at the time was a creation of studio techniques and was difficult to present live, especially in an open air setting so large. While Mike Pinder’s keyboards are present, they wisely strip the sound down to basics which makes them more like a traditional rock ‘n’ roll band.
Their set was a mixture of new, old, well known, and obscure. “Gypsy” from To Our Children’s Children’s Children may seem an odd choice for a concert starter but it quickly sets the tone for what will follow. Justin Hayward is in fine vocal form on the classic ballads “Tuesday Afternoon” and “Nights In White Satin.” Lost gems such as “Tortoise And The Hare” and “Melancholy Man” are presented in all their live glory. “Question” and the encore song “Ride My See Saw” find the Moodies rocking away into the night.

One of the more enjoyable features is that the group engages in more improvisation than I am used too from them as many of the songs are lengthened beyond their norm.

Threshold Of A Dream: Live At The Isle Of Wight Festival is both musically historic and a must buy for any fan of the group. Music and The Moody Blues shall not pass that way again.

A Night At Red Rocks by The Moody Blues

June 6, 2009

Every once in awhile someone has a good idea that actually turns out well. That is what happened when The Moody Blues decided to record a live album backed by The Colorado Symphony Orchestra. The result, A Night At Red Rocks With The Colorado Symphony Orchestra, was recorded to celebrate the 25th anniversary release of Days Of Future Passed.

The Moody Blues, especially during what is known as their core seven album period, used heavy elements of a classical sound to produce some of the most creative albums in rock history. While Days Of Future Passed credits The London Festival Orchestra, it would be Mike Pinder’s mellotron that would provide the orchestral backing which would make the group famous. During the 1980s, with Patrick Moraz replacing Mike Pinder, they would move in a progressive rock direction but would continue to play their classic material live.

September 9, 1992 found The Moody Blues backed by a full orchestra, plus extra keyboardists and backing vocalists. This performance, released in March of 1993, would be a definitive live statement by one of rock’s signature groups. While I am reviewing the original CD release; the concert has been reissued in its entirety as a two disc set plus has now been issued in DVD form as well.

A Night At Red Rocks does not replace any of their studio albums but stands along side of them as it presents their songs with new textures and a depth that make them unique listening experiences.

The concert and the album can be divided in three distinct sections. The first part focuses upon lush orchestration. If there was ever a song made for this type of performance, “Tuesday Afternoon,” is it. Justin Hayward’s voice floats out over the sound and when Ray Thomas’ “For My Lady” follows, it quickly establishes the fact that the listener is in for a special experience. John Lodge’s “Lean On Me (Tonight),” which was originally issued on Keys Of The Kingdom, is almost a brand new and superior song. “Lovely To See You,” from On The Threshold Of A Dream, was a track I had not thought about in awhile but here is takes on a memorable life of its own.

The middle third of the album is just the basic core of The Moody Blues without the orchestration. Songs such as “I Know You’re Out There Somewhere,” from Sur la Mer, “The Voice” from Long Distance Voyager, and “Your Wildest Dreams” from The Other Side Of Life are all solid performances and show off the best of their progressive rock period.

The final section is basically one stunning performance after the other as The Moody Blues perform many of their best known hit songs. “Isn’t Life Strange” and “The Other Side Of Life” set the table for what will follow. “I’m Just A Singer (In A Rock And Roll Band” is John Lodge at his best as the Moodies rock with full orchestral sound. “Nights In White Satin” is perfection as rock and classical music fuse together. “Question” is a showcase for Justin Hayward’s voice and acoustic guitar playing. “Ride My See Saw” is the grand finale and concert closer as The Moody Blues rock into the night. A Night At Red Rocks With The Colorado Symphony Orchestra is a must for any fan of The Moody Blues. It is a wonderful companion to their studio releases and fills in some large gaps in their career. Hopefully The Rock and Roll Hall Of Fame is listening.

December by The Moody Blues

June 6, 2009

I remember not being very excited when it was announced that The Moody Blues were going to release a Christmas album. But thought if Jethro Tull can make a Christmas album then why not The Moody Blues? It turned out that I was pleasantly surprised.

December was issued in late October of 2003. It was their first studio album in four years and remains their last as of 2009. There were several firsts for the group. Ray Thomas would not appear on the album as he had officially retired. Norda Mullen would play the flute and Danilo Madonia would handle the keyboards. This was also the first time, since their first album, that they would record non-original songs. It was also their first studio album not to chart in The United States.

In some ways I wish that Justin Hayward had written more songs for this album as the three he did contribute are excellent. “Don’t Need A Reindeer” is a catchy light rocker while “December Snow” is a moving ballad. Both are excellent Christmas fare and only improve with repeated listens. His third contribution, “Yes I Believe,” is a notch below the first two but still above average.

John Lodge’s “The Spirit Of Christmas” is a song that has wonderful and inspirational lyrics but is set to an odd melody. His “On This Christmas Day” is probably the least effective original song as the parts just do not hang together well.

There were a couple of notable cover songs. The old John Lennon/Yoko One anti-Vietnam War song “Happy Xmas (War Is Over)” is presented in a whole new context. John Lodge and Justin Hayward effectively entwine their voices to create a memorable sound. The classic carol, “In The Bleak Midwinter,” is presented in a simple and traditional manner which in this case is good.

The only song that really misses is “White Christmas” which has been recorded so many times that to provide anything new or creative is difficult.

December is a fine Christmas release and I bring it out every holiday season for a listen or two. It showed that The Moody Blues can still produce a quality album.